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Clef: BassBass
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Baroque
Arcangelo Corelli: Sonata da Chiesa in F Major, Op. 3, No. 1
SilverMaple
5:09 Est. Play
Time
157 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 20 0 4 8 100%
Viola 19 0 3 8 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 20 0 4 8 100%
Viola 19 0 3 8 98%
Continuo Bass 20 1 4 7 94%
Bass 19 0 4 4 15%
 
HWV5A2N11 - "Mà Rodrigo"
edward.maurath
0:52 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Rodrigo Treble 11 0 2 3 94%
Lute (Continuo) Treble 9 10 2 1 88%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Rodrigo Treble 11 0 2 3 94%
Lute (Continuo) Treble 9 10 2 1 88%
Bass 18 17 4 3 88%
Violoncello (Continuo) Bass 9 0 2 3 88%
Cembalo (Continuo) Treble 3 0 0 1 31%
Bass 15 9 2 3 44%
 
Sinfonia in G minor
baron von ivan
7:16 Est. Play
Time
72 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Euphonium Bass 21 0 10 5 100%
Tuba Bass 25 1 11 5 97%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Euphonium Bass 21 0 10 5 100%
Tuba Bass 25 1 11 5 97%
Flugelhorn Treble 26 0 10 6 69%
Treble 23 0 9 6 88%
B♭
Trumpet		 Treble 21 0 8 5 58%
Treble 21 0 7 5 68%
Horn
in
F		 Treble 19 0 8 5 65%
Treble 16 0 6 5 47%
Treble 22 0 10 5 61%
Tenor
Trombone		 Bass 19 0 9 5 47%
Bass 20 0 10 5 47%
Piccolo
Trumpet
in
B♭		 Treble 17 0 7 5 32%
 
Concerto No. 1 For Cello Mvmt. 3
DrThorg
5:26 Est. Play
Time
164 Measures
1,844Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncellos Bass 22 1 4 4 100%
Violas 11 1 2 3 65%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncellos Bass 22 1 4 4 100%
Violas 11 1 2 3 65%
Violoncello Bass 20 0 1 6 50%
Violins
1		 Treble 19 1 3 5 45%
Violins
2		 Treble 11 1 1 5 45%
Double
Basses		 Bass 10 0 0 3 43%
 
HWV8A2N13 - "Un sospiretto d'un labbro pallido" (Dorinda)
edward.maurath
4:17 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 29 9 7 97%
Bass 25 19 5 7 97%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 29 9 7 97%
Bass 25 19 5 7 97%
Violoncello Bass 24 0 5 6 97%
Contrabass Bass 24 0 5 5 88%
Dorinda 17 0 6 6 75%
Violins
1		 Treble 22 0 7 7 56%
Contrabasses Bass 17 0 4 3 47%
Violoncellos Bass 17 0 4 3 47%
Bassoon Bass 10 0 2 3 13%
Oboe Treble 14 0 2 5 13%
 
Canon Pipe Organ
Classical Music Central
3:46 Est. Play
Time
53 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
8'
Clarinet		 Treble 17 12 0 6 94%
Treble 19 24 2 6 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
8'
Clarinet		 Treble 17 12 0 6 94%
Treble 19 24 2 6 100%
8'
Diapason		 Treble 19 24 2 6 100%
Bass 17 12 0 6 94%
16'
Diapason		 Bass 7 0 0 1 85%
16'
String		 Bass 6 0 0 1 85%
8'
Crescendo		 Treble 14 5 2 5 28%
Bass 14 2 1 4 25%
 
Bach: BWV 565 - Toccata and Fugue in D Minor (c. 1730)
SpaceGuru5
8:35 Est. Play
Time
143 Measures
1,947Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 33 34 12 13 83%
Bass 37 12 13 12 84%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 33 34 12 13 83%
Bass 37 12 13 12 84%
Bass 21 1 7 8 45%
Bass 33 22 12 8 45%
 
Zelenka - Regem Cui Omnia Vivunt, Officium Defunctorum (ZWV 47)
johnsmith1
10:59 Est. Play
Time
241 Measures
2,635Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 26 0 8 9 82%
Basso
Continuo		 Bass 27 0 8 8 80%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 26 0 8 9 82%
Basso
Continuo		 Bass 27 0 8 8 80%
Violins
I		 Treble 29 1 12 9 79%
Violins
II		 Treble 28 0 11 8 78%
Alto Treble 14 0 5 7 67%
Flute Treble 26 9 10 6 65%
Oboe Treble 22 10 8 6 54%
Bass Bass 13 0 3 6 32%
Soprano Treble 11 0 3 4 27%
Tenor Treble 9 0 2 4 26%
 
HWV1A2N14 "Nein, nein, Fernando, nein!"
edward.maurath
2:11 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 5 100%
Almira Treble 14 0 3 6 52%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 5 100%
Almira Treble 14 0 3 6 52%
Fernando 14 0 4 6 46%
Harp Treble 19 25 6 4 42%
Bass 13 11 3 4 42%
Harpsi Treble 16 17 4 3 33%
Bass 17 15 5 3 33%
Lute Treble 17 17 6 2 25%
Bass 21 15 7 2 29%
Osman 11 0 1 3 17%
 
HWV58A1N15 - Ino: Turn, hopeless lover, turn thy eyes
edward.maurath
6:34 Est. Play
Time
132 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 27 78 8 7 93%
Bass 28 18 9 7 95%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 27 78 8 7 93%
Bass 28 18 9 7 95%
Organ Continuo Treble 27 78 8 7 93%
Bass 28 18 9 7 95%
Violoncello Continuo Bass 26 0 8 7 95%
Alto
as Ino		 Treble 13 0 4 7 67%
Double
Bass Continuo		 Bass 17 0 3 5 16%
Solo Violoncello Bass 15 0 3 7 11%
Violins Treble 9 0 0 5 7%
 
HWV19A3N22 - Rodelinda, "Mio caro bene!"
edward.maurath
5:29 Est. Play
Time
58 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 86 6 9 100%
Bass 22 37 5 6 99%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 86 6 9 100%
Bass 22 37 5 6 99%
Violoncello Continuo Bass 17 2 1 3 86%
Violins Treble 15 0 2 8 73%
Rodelinda Treble 13 0 3 5 68%
Contrabasses Bass 14 0 0 3 60%
Violincello Continuo Bass 14 0 0 3 60%
Violas 13 0 2 5 55%
Bassoon Continuo Bass 14 0 0 3 15%
Oboe Treble 10 0 0 6 14%
 
Kyrie in E minor (Opus 17)
schoutens
9:49 Est. Play
Time
288 Measures
2,861Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 35 8 15 9 88%
Bass 36 2 15 9 96%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 35 8 15 9 88%
Bass 36 2 15 9 96%
Violoncello Bass 24 0 10 8 75%
Contrabass Bass 24 0 9 9 56%
Bass Bass 23 0 10 8 55%
Violin Treble 29 0 10 9 46%
Viola Treble 27 0 9 9 41%
Soprano Treble 19 0 8 8 35%
Alto Treble 19 0 7 8 30%
Tenor Bass 19 0 7 6 29%
 
Bevale No.1 in G Minor.
Kyle James Catterall
11:47 Est. Play
Time
298 Measures
2,380Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 28 32 11 10 100%
Treble 31 39 11 8 93%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 28 32 11 10 100%
Treble 31 39 11 8 93%
Violoncello Bass 28 42 10 8 97%
Viola 24 10 8 7 88%
Harpsichord Treble 22 8 3 7 31%
Bass 21 8 4 7 35%
 
14 Canons (Arranged for String Quartet and Orchestra)
Arianna2001
6:01 Est. Play
Time
139 Measures
1,824Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 17 13 3 5 90%
Bass 23 7 2 4 96%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 17 13 3 5 90%
Bass 23 7 2 4 96%
Bass 17 8 0 2 95%
Violoncello
(Solo
Cello
-
Quartet)		 Bass 17 0 2 4 88%
Viola
(Solo
Viola
-
Quartet)		 18 0 3 5 78%
Violin
I
(Solo
1st
Violin
-
Quartet)		 Treble 24 0 7 7 71%
Violin
II
(Solo
2nd
Violin
-
Quartet)		 Treble 23 0 6 6 59%
Contrabass Bass 17 0 2 4 45%